Blar i NMH Brage på emneord "performance practice"
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Forgangen romantisk klaverpraksis. Fortolkning av utvalgte Beethoven-sonater og Chopin-etyder med utgangspunkt i Hans von Bülows instruktive noteutgaver
(NMH-publikasjoner;2017:11, Doctoral thesis, 2017)Summary A bygone romantic piano practice: Interpretation of selected Beethoven sonatas and Chopin-etudes, departing from Hans von Bülow's instructive edition. Jan Gunnar Sørbø, Norwegian Academy of Music (NMH). - Principal ... -
From Jamerson to Spenner. A survey of the melodic eletric bass through performance practice
(NMH-publikasjoner;2012:4, Doctoral thesis, 2012)Abstract - The double bass – the preferred bass instrument in popular music during the 1960s – was challenged and subsequently superseded by the advent of the new electric bass instrument. From the mid-1960s and throughout ... -
De glemte konsertene : tre obokonserter av Förster fra svenske 1700-talls kilder
(NMH-publikasjoner;2008:5, Doctoral thesis, 2008)The basic material of the present project, are 91 manuscripts of oboe-concertos from the University-libraries of Lund and Uppsala and from the Statens Musiksamlingar in Stockholm, Sweden. Three oboe-concertos attributed ... -
De glemte konsertene : tre obokonserter av Förster fra svenske 1700-talls kilder
(NMH-publikasjoner;2008:5, Doctoral thesis, 2008)The basic material of the present project, are 91 manuscripts of oboe-concertos from the University-libraries of Lund and Uppsala and from the Statens Musiksamlingar in Stockholm, Sweden. Three oboe-concertos attributed ... -
The guitarist as poly-instrumentalist. An investigation into the challenges and possibilities found in the periphery of a contemporary guitar practice
(Norges musikkhøgskole. Masteroppgave. Utøving med fordypningsemne;2023, Master thesis, 2023)Abstract - Using the heterogenous approaches to instrument technique found in contemporary music as a vehicle, the thesis explores the possibility of the classical guitarist assuming a new performer role — a role ... -
The omnivorous voice: Exploring the pluralities of vocal behaviors, vocal aesthetics, and vocal tastes in contemporary (American) musical theatre
(NMH-publikasjoner;2023:8, Doctoral thesis, 2023)Abstract - Musical theatre is a rapidly changing art form integrating and absorbing a wide range of musical genres and styles to its repertoire of musical works. As a result, the art form’s vocal-musical styles are in ... -
Style Brillante: Piano technique in Performance Practice of early 19th century. Critical reflection
(Research report, 2011)The goal with my project was to investigate different piano traditions of early 1800s, and to find out how the development of technique 1800s interacted with,- and probably influenced - musical language (or style), in light ... -
The polyphonic performer. A study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen
(Doctoral thesis, 2019)Abstract - (for the interactive PDF 2019). The polyphonic performer. A study of performance practice in music for solo cello by Morton Feldman, Helmut Lachenmann, Klaus K. Hübler and Simon Steen-Andersen. Since World War ... -
To sing reality. Singing as ethical demand and public political discourse
(NMH-publikasjoner;2024:1, Doctoral thesis, 2024)Sammendrag. - Denne avhandlingen utforsker etiske og politiske implikasjoner ved å synge. Jeg tar utgangspunkt i erfaringen av at noe prekært skjer når jeg synger: at noe står på spill, at noe blir både etablert, ...