• The Galata Electroacoustic Orchestra Project 

      Bordin, Anna Maria (NMH-publikasjoner;2019:7, Chapter; Peer reviewed, 2019)
      Abstract - The Galata Electroacoustic Orchestra (GEO) project was realised in 2013 as a Lifelong Learning Programme at the Conservatory Paganini in Genoa, Italy. Its general objective was to found an orchestra devoted ...
    • Gender and equality in education. Key themes, changes and the contemporary focus on achievement 

      Öhrn, Elisabet (Nordisk musikkpedagogisk forskning;Årbok 19, Chapter; Peer reviewed, 2019)
      ABSTRACT - The field of gender and education historically and currently addresses a range of issues of equality in education. Key themes include power relations, curriculum and school practices, achievement patterns, and ...
    • Gender Performativity through Musicking: Examples from a Norwegian Classroom Study 

      Onsrud, Silje Valde (Nordisk musikkpedagogisk forskning;Årbok 16, Chapter; Peer reviewed, 2015-12)
      ABSTRACT This article is based on findings from the doctoral thesis Gender at Stake: A Study of Secondary School Pupils’ Musicking. The study explores how pupils stage and construct gender through the music they perform ...
    • Genres, values, and music pedagogy students identity formation as music teachers in spe 

      Johansen, Guro Gravem (Utdanningsforskning i musikk – skriftserie fra CERM (Centre for Educational Research in Music);Vol. 1, Chapter; Peer reviewed, 2017)
      In this essay, I want to highlight dimensions of identity formation as instrumental teachers among music pedagogy students, from the perspective of musical genres, understood as musical cultures. Further, I will discuss ...
    • Gjensyn med Orff–Schulwerk: et bidrag til nytenkning av musikkdidaktisk analyse 

      Sætre, Jon Helge (Nordisk musikkpedagogisk forskning;Årbok 15, Chapter; Peer reviewed, 2015)
      ABSTRACT. - Orff–Schulwerk revisited: rethinking analysis of music teaching methods and practices. - This article investigates the benefits of analysing music teaching methods and practices by employing perspectives normally ...
    • Glass instruments – From Pitch to Timbre 

      Jensenius, Alexander Refsum; Innervik, Kjell Tore; Frounberg, Ivar (Chapter; Conference object, 2010)
      The paper reports on the development of prototypes of glass instruments. The focus has been on developing acoustic instruments speci cally designed for electronic treatment, and where timbral qualities have had priority ...
    • Goal setting and self-determination in music making: Tenets of becoming a deliberate and motivated music practitioner 

      Hatfield, Johannes Lunde (NMH-publikasjoner;2017:8, Chapter; Peer reviewed, 2018)
      ABSTRACT - The fields of sports, business, education and other organizational fields have for many decades invested considerable time and resources in research investigating quality of motivation, use of goal setting in ...
    • Handlemuligheter og musikalsk aktørskap. Om å avgrense musikkterapi fra musikkpedagogikk 

      Ruud, Even (Utdanningsforskning i musikk – skriftserie fra CERM (Centre for Educational Research in Music);Vol. 1, Chapter, 2017)
      Å definere og avgrense fagfelt er en øvelse som lett skaper diskusjoner. Deltakerne i feltet kan ha ulike og kanskje motstridende interesser og det kan oppstå en kamp om hegemoniet. Definisjoner handler om å sette ord på ...
    • Håp og anerkjennelse : om et musikkprosjekt blant ungdommer i en palestinsk flyktningleir 

      Storsve, Vegar; Westby, Inger Anne; Ruud, Even (NMH-publikasjoner;2009:5, Chapter; Peer reviewed, 2009)
      The questions raised in this report concern to what extent a music project can strengthen a sense of self and identity, the experience of belonging to own traditions among Palestinian youth. Further, how it is possible to ...
    • Healing singing 

      Gretsch, Renate (Centre for Music and Health Publication Series;Vol:6, Chapter; Peer reviewed, 2013)
      This study confirms the hypothesis that healing singing leads to positive emotional experiences in relation to other people through social resonance and a strong shared bond. People who have had negative interpersonal ...
    • Health affordances of the RHYME artefacts 

      Ruud, Even (Series from the Centre for Music and Health;8, Chapter; Peer reviewed, 2014)
      The author presents a theoretical exploration of the health affordances of the RHYME artefacts in response to the following questions in the following article: To what extent can the RHYME project be seen within the ...
    • Helsebegrepet : selvet og cellen 

      Schei, Edvin (NMH-publikasjoner;2009:5, Chapter; Peer reviewed, 2009)
      Ordet helse kommer av det oldnorske heill, som betydde ”hel, ubeskåren, uskadd”. Heill har gitt opphav til ordene hel, hell, hellig – og helse. Det friske og det sunne har aldri vært rent kroppslige eller materielle ...
    • Hetero-observation in the orchestral conducting classroom from the students’ perspective: analysis of pre- and post-observational self-reports 

      Lorenzo de Reizábal, Margarita; Benito Gómez, Manuel (NMH-publikasjoner;2019:7, Chapter; Peer reviewed, 2019)
      Abstract - This research explores the influence of hetero-observation on gestural learning by 28 first-year orchestral conducting students at a higher music education institution in Spain. For this hetero-observational ...
    • Historier fra Etnia. Representasjon av kulturell annerledeshet i lærebøker i musikk for norsk ungdomsskole 

      Rønningen, Anders (Nordisk musikkpedagogisk forskning;Årbok 15, Chapter; Peer reviewed, 2015)
      ABSTRACT. - Stories from Ethnia: Representation of cultural difference in textbooks for music in Norwegian comprehensive school. - The article deals with representation of minority music and culture in Norwegian textbooks ...
    • Holistic quality learning in musikdidaktik from a student perspective. Where, when and how does it occur? 

      Thorgersen, Cecilia Ferm (NMH-publikasjoner;2012:7, Chapter; Peer reviewed, 2012)
      Musikdidaktik is a central subject in music teacher education, where the students are expected to learn about teaching and related learning of music, from practical, theoretical and philosophical perspectives. As part of ...
    • Hope and recognition. A music project among youth in a Palestinian refugee camp 

      Storsve, Vegar; Westby, Inger Anne; Ruud, Even (NMH-publikasjoner;2012:7, Chapter; Peer reviewed, 2012)
      Hope and recognition are keywords that characterize the cultural and humanitarian aid The Norwegian Academy of Music together with NORWAC2 and Forum for Culture and International Cooperation are doing in South-Lebanon. ...
    • «Hot rhythms»: Rytmisk musikk som den vestlige rasjonalitetens andre 

      Danielsen, Anne (NMH-publikasjoner;2017:4, Chapter; Peer reviewed, 2017)
      Artikkelen problematiserer den rollen svart rytmisk musikk har spilt innenfor populærmusikkfeltet i etterkrigstiden. Den begynner med en gjennomgang av den historiske bakgrunnen for forestillingen om svart rytme som ...
    • How (not) to teach 

      Els, Susanne van (NMH-publikasjoner;2019:7, Chapter; Peer reviewed, 2019)
      Abstract - In this personal essay Susanne van Els draws on her musical career as a performer and educator to look at when, where and how essential learning takes place. Because, when answering the number one question – ...
    • How are multicultural considerations playing a role in music therapy practice? A Nordic music therapist’s experiences from working in a paediatric hospital setting in Peru 

      Helander, Sarah; Gattino, Gustavo (NMH-publikasjoner; 2020:6, Chapter; Peer reviewed, 2020)
      Abstract -- In the field of music therapy, global collaborative research and clinical practice in multicultural settings are evolving. Therefore, there is an important need for integrating a multicultural perspective ...
    • How music performance education became academic: On the history of music higher education in Europe 

      Gies, Stefan (NMH-publikasjoner;2019:7, Chapter; Peer reviewed, 2019)
      Abstract - This text aims to answer the question of the academic self-image of music from an historical perspective. In the first section, a certain concept of teaching the art of music is shown as having emerged from ...