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dc.contributor.authorJensenius, Alexander Refsum
dc.contributor.authorInnervik, Kjell Tore
dc.contributor.authorFrounberg, Ivar
dc.date.accessioned2012-03-08T13:50:59Z
dc.date.available2012-03-08T13:50:59Z
dc.date.issued2010
dc.identifier.citationKapittel i: New Interfaces for Musical Expression++ : NIME 2010 proceedings : 15-18th June 2010, University of Technology Sydney, Sydney Australiano_NO
dc.identifier.urihttp://hdl.handle.net/11250/172269
dc.description.abstractThe paper reports on the development of prototypes of glass instruments. The focus has been on developing acoustic instruments speci cally designed for electronic treatment, and where timbral qualities have had priority over pitch. The paper starts with a brief historical overview of glass instruments and their artistic use. Then follows an overview of the glass blowing process. Finally the musical use of the instruments is discussed.no_NO
dc.language.isoengno_NO
dc.publisherNIMEno_NO
dc.subjectmusic technologyno_NO
dc.subjectelectronic musicno_NO
dc.subjectglass instrumentsno_NO
dc.titleGlass instruments – From Pitch to Timbreno_NO
dc.typeChapterno_NO
dc.typeConference objectno_NO
dc.source.pagenumberS. 287-290no_NO


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