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dc.contributor.authorBugge, Magnus
dc.date.accessioned2014-10-01T09:07:36Z
dc.date.available2014-10-01T09:07:36Z
dc.date.issued2014-10-01
dc.identifier.urihttp://hdl.handle.net/11250/222521
dc.descriptionNorges musikkhøgskole. Masteroppgave. Anvendt musikkteorinb_NO
dc.description.abstractThis is a master’s thesis concentrated around the construction of a suite of digital signal processing routines programmed in Max, with the purpose of composing, or aiding composition of electronic music. The routines are synthesis models operated by arbitrary generated numbers. Sounds produced are used in composition of acousmatic (fixed media) electronic pieces. Further, the processes is evaluated to see if, how and why the composition of electronic music can benefit from being crossed with computer assisted composition. The project is set in an academic context using artistic research as a method to overview, document, and reflect over the project.nb_NO
dc.language.isoengnb_NO
dc.relation.ispartofseriesNorges musikkhøgskole. Masteroppgave. Anvendt musikkteori;2014
dc.subjectalgorithmnb_NO
dc.subjectartistic researchnb_NO
dc.subjectcomputer assisted compositionnb_NO
dc.subjectdigital audionb_NO
dc.subjectDSPnb_NO
dc.subjectgenerative musicnb_NO
dc.subjectMaxnb_NO
dc.subjectrandom numbersnb_NO
dc.subjectvisual programmingnb_NO
dc.titleSynthesised Sound & Synthesised Composition : Composing electronic music with computer assisted compositionnb_NO
dc.typeMaster thesisnb_NO
dc.subject.nsiVDP::Humanities: 000::Musicology: 110::Music theory: 112nb_NO
dc.source.pagenumber71 s.nb_NO


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