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dc.contributor.authorAndersson, Anders-Petter
dc.contributor.authorCappelen, Birgitta
dc.date.accessioned2015-03-20T07:47:50Z
dc.date.available2015-03-20T07:47:50Z
dc.date.issued2014
dc.identifier.citationI: Music, Health, Technology and Design, s. 21-38nb_NO
dc.identifier.isbn978-82-7853-094-8
dc.identifier.issn1893-3580
dc.identifier.urihttp://hdl.handle.net/11250/279834
dc.description.abstractIn this article we explore the voice in tangible interaction design and its possibility to strengthen health by reducing isolation and passivity. Our approach is to use knowledge about the voice from music therapy and multi-sensory stimulation for designing computer-based tangible interaction. We argue that the use of resource-oriented methods by these two fields strengthens all participants involved and is particularly interesting for interaction design and computer-based interactive sound design when working with a diverse mix of people with or without disabilities. In two design cases we explore vocal, bodily and tactile interaction as input, and music, tactile sensations and lighting as output. The two cases are first and second generation of interactive, tangible installations in the on-going research project RHYME (Rhyme, 2010). To analyse and integrate the findings in the design we have followed user-oriented research-by-design methods conducted as cycles of actions with design, interviews and video observations of families with children who have severe disabilities.nb_NO
dc.language.isoengnb_NO
dc.publisherNorges musikkhøgskolenb_NO
dc.relation.ispartofseriesSeries from the Centre for Music and Health;8
dc.relation.ispartofseriesNMH-publications;2014:7
dc.subjectvoice and tangible interactionnb_NO
dc.subjecthealth technologynb_NO
dc.subjectassistive technologynb_NO
dc.subjectuniversal designnb_NO
dc.titleVocal and tangible interaction in RHYMEnb_NO
dc.typeChapternb_NO
dc.typePeer reviewednb_NO
dc.subject.nsiVDP::Humanities: 000::Musicology: 110::Music therapy: 113nb_NO
dc.source.pagenumberS. 21-38nb_NO


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