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dc.contributor.authorStensæth, Karette
dc.contributor.authorHolone, Harald
dc.contributor.authorHerstad, Jo
dc.date.accessioned2015-03-20T08:48:12Z
dc.date.available2015-03-20T08:48:12Z
dc.date.issued2014
dc.identifier.citationI: Music, Health, Technology and Design, s. 157–185nb_NO
dc.identifier.isbn978-82-7853-094-8
dc.identifier.issn1893-3580
dc.identifier.urihttp://hdl.handle.net/11250/279890
dc.description.abstractWords and concepts are interpreted differently in different fields. In this article, Stensæth, together with Harald Holone and Jo Herstad, takes an interdisciplinary stance to elaborate upon the central project notion of participation. They address the following research questions: How is participation described in the disciplines of informatics and music and health, and what does participation imply in the RHYME project? To promote some common ground here, they also ask the following: How does the focus on user participation in the RHYME prototype evaluations differ for informatics researchers and for health and music researchers, and with regard to participation, what can the fields of music and health and informatics learn from one another? The last part of this article derives directly from empirical data generated through RHYME, and in the concluding discussion we will suggest future possibilities for exchange between informatics and the field of music and health.nb_NO
dc.language.isoengnb_NO
dc.publisherNorges musikkhøgskolenb_NO
dc.relation.ispartofseriesSeries from the Centre for Music and Health;8
dc.relation.ispartofseriesNMH-publications;2014:7
dc.subjectmusic and healthnb_NO
dc.subjectRHYME projectnb_NO
dc.subjectinformaticsnb_NO
dc.titlePARTICIPATION: A combined perspective on the concept from the fields of informatics and music and healthnb_NO
dc.typeChapternb_NO
dc.typePeer reviewednb_NO
dc.subject.nsiVDP::Humanities: 000::Musicology: 110::Music therapy: 113nb_NO
dc.source.pagenumberS. 157–185nb_NO


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