Browsing NMH Brage by Document Types "Research report"
Now showing items 1-20 of 22
-
Again and Again and Again. Music as site, situation and repetition
(NMH-publikasjoner;2017:7, Research report, 2018)Again and Again and Again is about new musical works that in various ways integrate historical music as important components. The texts were written during Eivind Buene’s fellowship in The Norwegian Artistic Research ... -
Contrabass Clarinet and Houvenaghel’s Organ, integrating a new member into my clarinet family
(Research report, 2015)The written part of the critical reflection, May 15. 2015 In october 2011 I started a project that was then called ”Contrabass Clarinet”. I wanted to become a contrabass clarinettist and expand knowledge and interest ... -
Det orkestrale klaveret. Orkesteret som metafor for utforskning av klaverklang. Refleksjon over prosjektet
(Research report, 2019)Det orkestrale klaveret - I dette prosjektet vil Lindberg utvikle og utforske klaverspill gjennom å imitere symfoniorkesteret og dets instrumenter, noe han kaller å spille orkestralt eller et orkestralt klaverspill. ... -
Elektrisk fiolin i det digitale rom
(Research report, 2011)Denne teksten ledsager mine kunstneriske resultater og er et refleksjonsnotat til et kunstnerisk stipendiatprosjekt ved Norges musikkhøgskole. Refleksjonsteksten utdyper og gir bakgrunn for de kunstneriske resultatene og ... -
Embodied/Encoded: A study of presence in digital music
(Research report; Recording, musical, 2024)Presence in Embodied/Encoded is concerned with the physical and embodied dimensions of musicking in relation to digital-informational representations of such phenomena. I explore presence through practices of recording, ... -
Ensemble and Ensemble of Me. What I think about when I think about improvisation
(Research report, 2016-06-20)Introduction: - This project (2011-2015) is an artistic research fellowship project at the Norwegian Academy of Music, as part of The Norwegian Artistic Research Fellowship Programme. In this project I have produced ... -
Gruppeundervisning i instrumentalopplæringen på høyskolenivå
(NMH-publikasjoner;2014:6, Research report, 2014)Instrumentalundervisning i høyere musikkutdanning har tradisjonelt vært organisert som individuell undervisning i en mesterlærertradisjon der studenten stiller spørsmålene og læreren har svaret. Gruppeundervisning som en ... -
Instrumental group tuition at conservatoire level. A project involving instrumental teachers and students at the Norwegian Academy of Music
(NMH-publikasjoner;2015:6, Research report, 2015)Instrumental tuition in higher education has traditionally been provided as one-to-one tuition in a master and student setting. Group tuition as a permanent element in the students’ principal instrument tuition has only ... -
Learning together. Trialling group tuition as a supplement to one-to-one principal instrument tuition
(NMH-publikasjoner;2015:10, Research report, 2016)Principal instrument tuition in higher music education usually takes place in a one-to-one setting. This report presents the outcomes of trials conducted by six teachers at the Norwegian Academy of Music involving principal ... -
Let the Harp Sound! Updating the understanding of the sound and artistic role of the harp in Norwegian contemporary music
(Research report, 2016-01-26)ABSTRACT: Sunniva Rødland's artistic research project Let the Harp Sound - Updating the understanding of the sound and artistic role of the harp in Norwegian contemporary music makes its inquiries through artistic activity ... -
OASE. Om kulturskoleutvikling og lokal forankring av Den kulturelle skolesekken : rapport fra et samarbeidsprosjekt mellom grunnskole, kulturskole og musikklærerutdanning
(NMH-publikasjoner;2012:6, Research report, 2012)OASE er et kulturskole- utviklingsprosjekt som omfatter samarbeid mellom kulturskolene og grunnskoler i en rekke kommuner og studenter i musikklærerutdanning. Oase er også betegnelsen på det kunstneriske møtet – verkstedene, ... -
Organized time. Strategies for transmedial composition
(Research report, 2017)Organized Time - Strategies for Transmedial Composition About the project. - The language that surrounds forms of art where several medias meet, is by no means standardized. Blom thinks of the complete category, several ... -
Style Brillante: Piano technique in Performance Practice of early 19th century. Critical reflection
(Research report, 2011)The goal with my project was to investigate different piano traditions of early 1800s, and to find out how the development of technique 1800s interacted with,- and probably influenced - musical language (or style), in light ... -
The HyPer(sonal) Piano Project : towards a (per)sonal topography of grand piano and electronics [interactive pdf]
(Research report, 2016)Towards a (per)sonal topography of grand piano and electronics How can I develop a grand piano with live electronics through iterated development loops in the cognitive technological environment of instrument, music, ... -
The poetics of a multiphonic landscape. Reflections on the project
(Research report, 2016)Abstract The project is an artistic research project focusing on the saxophone's ability to produce multiphonics (multiple sounds on an instrument considered monophonic). It is a personal artistic exploration into the ... -
The Tartini style. An artistic survey of the violinist's craft in the 18th century
(Research report, 2016-02-22)"In his research of The Tartini Style, Sigurd Imsen has explored the art and craft of the 18th century’s violinists. The study concentrates on the florid and highly personal ornamental style of Giuseppe Tartini (1692-1770), ... -
THERE WILL BE NO CRITICAL REFLECTION
(Research report, 2015-11-03)The only solution in the end was this: To hand in a one-page document with only this sentence: “There will be no critical reflection”. It is a little childish, but it is the Truth (both in a factual and artistic sense). ... -
"This is not a drum". Towards a Post-Instrumental Practice
(Research report, 2016-02-18)Abstract. - This is Not a Drum: Towards a Post-Instrumental Practice thematizes the role of the performer in contemporary music. - One of the oldest crafts in musical arts, percussion playing, especially within the Western ... -
Transmogrification. Dialogic composition
(Research report, 2021)Contents: Introduction. - Adaptation. - Why make adaptations? - Fidelity in Adaptation. - The Emergence of Werktreue. - Canonisation of the Work. - Priority. - Dialogue. - Introducing Bakhtin and Dialogism. - Heteroglossia. ... -
The use of human beings
(Research report, 2022)Table of Content. - Foreword. - Chapter 1: Introduction. - Chapter 2: Method. - Chapter 3: Manifesto. - Chapter 4: Das kapitalistische Ausland. - Chapter 5: It takes all Kinds to make The World, Sir!. - Chapter 6: Zulou. ...