• norsk
    • English
  • norsk 
    • norsk
    • English
  • Logg inn
Vis innførsel 
  •   Hjem
  • Norges musikkhøgskole
  • Kunstnerisk utviklingsarbeid
  • Vis innførsel
  •   Hjem
  • Norges musikkhøgskole
  • Kunstnerisk utviklingsarbeid
  • Vis innførsel
JavaScript is disabled for your browser. Some features of this site may not work without it.

'Zum Spielen und zum Tantzen', a Kinaesthetic Exploration of the Bach Cello Suites through Studies in Baroque Choreography

Dalen, Tormod
Artistic production, Research report
Thumbnail
Åpne
Zum Spielen und zum Tantzen (1.941Mb)
Inspired by Dance (30.25Mb)
Inspired by Dance (40.47Mb)
Inspired by Dance (27.61Mb)
Inspired by Dance (18.79Mb)
Inspired by Dance (29.61Mb)
Inspired by Dance (16.61Mb)
Inspired by Dance (37.51Mb)
Inspired by Dance (35.57Mb)
Inspired by Dance (26.90Mb)
Inspired by Dance (32.18Mb)
Inspired by Dance (29.56Mb)
Inspired by Dance (26.22Mb)
Inspired by Dance (34.83Mb)
Inspired by Dance (37.91Mb)
Inspired by Dance (33.56Mb)
Inspired by Dance (27.66Mb)
Inspired by Dance (32.33Mb)
Inspired by Dance (30.31Mb)
Documentation CD (15.49Mb)
Documentation CD (30.50Mb)
Documentation CD (18.58Mb)
Documentation CD (28.44Mb)
Documentation CD (42.81Mb)
Documentation CD (30.44Mb)
Documentation CD (30.81Mb)
Documentation CD (27.99Mb)
Documentation CD (28.55Mb)
Documentation CD (31.58Mb)
Documentation CD (41.51Mb)
Documentation CD (34.57Mb)
Permanent lenke
http://hdl.handle.net/11250/2359056
Utgivelsesdato
2015-11-03
Metadata
Vis full innførsel
Samlinger
  • Kunstnerisk utviklingsarbeid [18]
Sammendrag
Abstract. -

The dance titles of J.S. Bach's cello suites, derived from French court dance, clearly meant more to the composer than just abstract reference. In Bach's time, dance practice permeated social life, and it was indispensable for a musician to have an intimate knowledge of the fashionable dance forms. The movements and gestures of these dances inevitably had a profound influence on performance style.

In my fellowship project have investigated how the practice of baroque dance could influence my interpretation of the Bach Suites. Learning the essentials of this style and its original choreographies and frequently accompanying dancing, I also explored the dance aspect of the cello suites by way of experiments with historical tempos as well as melodic and rhythmic reductions of the musical material.

The project offers a recontextualisation of Bach’s work that emphasizes the close links between the expressive gestures of music and dance. The results have both artistic and pedagogic potential as tools to discover essential aspects of dance character in baroque music.
Beskrivelse
Norwegian Research Fellowship for the Arts Programme. The Norwegian Academy of Music. - 2013
Består av
Tormod Dalens Artistic Research Fellowship Programme, is documented by the Critical reflection PDF accessible here, plus 2 DVDs and 2 CDs

Kontakt oss | Gi tilbakemelding

Personvernerklæring
DSpace software copyright © 2002-2019  DuraSpace

Levert av  Unit
 

 

Bla i

Hele arkivetDelarkiv og samlingerUtgivelsesdatoForfattereTitlerEmneordDokumenttyperTidsskrifterDenne samlingenUtgivelsesdatoForfattereTitlerEmneordDokumenttyperTidsskrifter

Min side

Logg inn

Statistikk

Besøksstatistikk

Kontakt oss | Gi tilbakemelding

Personvernerklæring
DSpace software copyright © 2002-2019  DuraSpace

Levert av  Unit