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dc.contributor.authorSnekkestad, Torben
dc.date.accessioned2017-01-09T14:17:01Z
dc.date.available2017-01-09T14:17:01Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/11250/2426765
dc.descriptionIn "The Poetics of a Multiphonic Landscape artistic" research fellow Torben Snekkestad is focusing on the saxophone’s ability to produce multiphonics (multiple sounds on an instrument considered monophonic). The project has become a personal artistic exploration into the process of unfolding the poetics of these complex sonics and a reflection over the process, methods and the creation of an album trilogy, consisting of acoustic solo music recorded during the research period. The main question Snekkestad has been asking himself during this three-year research project has been: What happens if the raw musical material, in the creation of a set of solo saxophone works, is based on the multiphonics only and what this material in itself suggest - possibly independent of any stylistic affiliation? Snekkestad writes on his project that his main objective «was to examine why the saxophone’s multiphonics has such a captivating effect on me. How could I possibly explore their intrinsic qualities and unfold the poetic potential in them? By the same token, my ambition was to find a suitable artistic context for this enamored relationship that so heavily has stirred the waves of my imagination.» Snekkestad continues: - In the reflection text on the project, I disclose how some unexpected paths during this pursuit revealed themselves. From sprouting interest toward underwater soundscapes, to the making of a hybrid instrument called reed trumpet; and how my personal catalogue of multiple sounds found its place, not in a public pdf document or book release, but in a German wooden archive box. - I relay in what way I began to take on the intrinsic qualities of the multiphonics and the reason why an oscillation between artistic intention and action is so pivotal for an improviser. To make sure that the project had this focus at all time, I sat up a dogma that contains a list of eight fundamental criteria that manifest the intentions and structure as well as sharpen the working methods. The Artistic Result is documented through an acoustic solo album trilogy, performed and composed by Torben Snekkestad. It consists of the albums Winds of Mouth, Plateau and The Reed Trumpet.nb_NO
dc.description.abstractAbstract The project is an artistic research project focusing on the saxophone's ability to produce multiphonics (multiple sounds on an instrument considered monophonic). It is a personal artistic exploration into the process of unfolding the poetics of these complex sonics and a reflection over the process, methods and the creation of an album trilogy, consisting of acoustic solo music recorded during the research period. The main question I have been asking myself during this project has been: What happens if the raw musical material, in the creation of a set of solo saxophone works, is based on the multiphonics only and what this material in itself suggest – possibly independent of any stylistic affiliation? 
My main objective was to examine why the saxophone’s multiphonics have such a captivating effect on me. How could I possibly explore their intrinsic qualities and unfold the poetic potential in them? By the same token, my ambition was to find a suitable artistic context for this enamored relationship that so heavily has stirred the waves of my imagination. In the reflection text on the project, I disclose how some unexpected paths during this pursuit revealed themselves. From sprouting interest toward underwater soundscapes, to the making of a hybrid instrument called reed-trumpet; and how my personal catalog of multiple sounds found its place, not in a public pdf-document or book release, but in a German wooden archive box. I relay in what way I began to take on the intrinsic qualities of the multiphonics and the reason why an oscillation between artistic intention and action is so pivotal for an improviser. To make sure that the project had this focus at all time I sat up a dogma that contains a list of eight fundamental criteria that manifest the intentions and structure as well as sharpen the working methods.nb_NO
dc.language.isoengnb_NO
dc.relation.haspartThe Artistic Result is documented through an acoustic solo album trilogy, performed and composed by Torben Snekkestad. It consists of the albums Winds of Mouth, Plateau and The Reed Trumpet.
dc.titleThe poetics of a multiphonic landscape. Reflections on the projectnb_NO
dc.typeArtistic productionnb_NO
dc.typeResearch reportnb_NO
dc.subject.nsiVDP::Humaniora: 000::Musikkvitenskap: 110::Annen musikkvitenskap: 119nb_NO
dc.source.pagenumber112 s.nb_NO
dc.relation.projectThe Norwegian Artistic Research Programme - The Norwegian Academy of Music - (2012–2016)nb_NO


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