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Rom for romanser : om konsertdramaturgisk musikkformidling i romansekonserten

Kjølberg, Kristin
Doctoral thesis
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URI
http://hdl.handle.net/11250/172590
Date
2010
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Abstract
The main topic of this dissertation is concert dramaturgy, and the aim of

the research project has been to develop theory of the different aspects of

singers´ performance in the song recital.

Concert dramaturgy is a categorywithin the wider field

musikkformidling. The Scandinavian term musikkformidling cannot be

precisely translated into English. It is about music communication in the

service of different concepts, and is in the dissertation divided into three

aspects. The first aspect is related to the musician’s interpretation and

performance of a piece of music. The second concerns presentations of

musical works, ideas or practises through representational medias such as

recordings, written texts, verbally or through digital medias. The third

aspect, concert dramaturgy will often consist of elements from the two

other categories.

Thus, concert dramaturgy encompasses artistic, rhetorical and

communicative aspects of the concert. In order to facilitate aesthetic

experience for the listener, a musician or a concert dramaturge will work

with staging, paratexts and contexts, as well as the dramaturgical form of

the concert. Further, the performers appearance in the concert is of great

importance for the performance. The rhetorical phase actio is transferable

to the performers appearance due to the performance of the composition,

verbal and nonverbal communication, and the performers presence and

charisma on the stage. Concert dramaturgy is also about the

communication between the performers and the audience. Christopher

Smalls concept musicking and Hans Georg Gadamers term play has

influenced how researcher look upon the classical concert in general and

the song recital in particular.

The dissertation presents a practice-based research project in music,

and the empirical material is developed through the methodological

framework of action research. The researcher, also being a classical

singer, has performed three staged song recitals: “Alma Mahler, muse,

femme fatale and composer” with art songs by Viennese composers from

370

the period 1900-1930, “Last night at half past nine he seemed O.K.”,

including cabaret songs, and “Das war der Tag der weißen

Chrysanthemen” with art songs by Berg, Schönberg, Webern and

Zemlinsky.

By moving back and forth between the positions as a researcher and

a singer, theories related to concert dramaturgy has been developed in

dialogues between the empirical material derived through planning,

acting, observing, analyzing and reflection on the one hand, and theories

from communication theory, rhetoric, and theory from fine art and theatre

on the other.
Description
Avhandling (Ph.D.) - Norges musikkhøgskole, 2010. - Den trykte versjonen har vedlagt lydfiler (CD) som pga rettighetsspørsmål ikke kan legges ut på nettet
Publisher
Norges musikkhøgskole
Series
NMH-publikasjoner;2010:1

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