The guitarist as poly-instrumentalist. An investigation into the challenges and possibilities found in the periphery of a contemporary guitar practice

Abstract

Abstract - Using the heterogenous approaches to instrument technique found in contemporary music as a vehicle, the thesis explores the possibility of the classical guitarist assuming a new performer role — a role characterized by new instruments, instrument variants, or ways of approaching their instrument. The new role is investigated through three case studies that transgress the borders of the classical guitar practice: Rerendered by Simon Steen-Andersen, Trash TV Trance by Fausto Romitelli, and Severance by Chris Dench. Each case is given a distinct perspective, highlighting technical, instrumental, and interpretative challenges respectively.