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dc.contributor.authorBlix, Hilde Synnøve
dc.date.accessioned2011-04-04T14:30:45Z
dc.date.available2011-04-04T14:30:45Z
dc.date.issued2009
dc.identifier.citationI: F. V. Nielsen, S.-E. Holgersen & S. Graabræk Nielsen (Red.) Nordic Research in Music Education. Yearbook Vol. 11 2009, 69-91en_US
dc.identifier.isbn978-82-7853-063-4
dc.identifier.issn1504-5021
dc.identifier.urihttp://hdl.handle.net/11250/172219
dc.description.abstractMusic reading and writing are regarded as useful skills for musicians in many genres. As a means to communicate, written music is a useful tool both for composers, musicians and musicologists. Discussions concerning whether music literacy can have negative consequences for musical expression, as well, to a large degree focus on the relationship between oral and written music. – In this article this relationship is discussed using perspectives from language literacy theories, anthropology and philosophy. Implications for music literacy didactics will be seen in the light of questions regarding the potential effects that music literacy has on cognition and consciousness. Keywords: music literacy, the oral and literate in music, musical consciousnessen_US
dc.language.isonoben_US
dc.publisherNorges musikkhøgskoleen_US
dc.relation.ispartofseriesNMH-publikasjoner;2009, nr 8
dc.relation.ispartofseriesNordisk musikkpedagogisk forskning;Årbok 11
dc.subjectmusic literacyen_US
dc.subjectthe oral and literate in musicen_US
dc.subjectmusical consciousnessen_US
dc.titleDet store skillet? Om skriftlighetens betydning for kognitiv bevissthet i musikalsk læringen_US
dc.title.alternativeThe Great Divide? The influence of literacy on cognition in musical learningen_US
dc.typeChapteren_US
dc.typePeer revieweden_US
dc.subject.nsiVDP::Humanities: 000::Musicology: 110::Music pedagogics: 114en_US
dc.source.pagenumber69-91en_US


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