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dc.contributor.authorSchei, Tiri Bergesen
dc.date.accessioned2011-04-07T11:20:44Z
dc.date.available2011-04-07T11:20:44Z
dc.date.issued2009
dc.identifier.citationI: F. V. Nielsen, S.-E. Holgersen & S. Graabræk Nielsen (Red.) Nordic Research in Music Education. Yearbook Vol. 11 2009, 221-236en_US
dc.identifier.issn1504-5021
dc.identifier.urihttp://hdl.handle.net/11250/172247
dc.description.abstractThe discussion in this article focuses on the use of discourse theory in research on identity formation in professional education. Michel Foucault’s works and ideas inspire researchers to work with concepts like discursive space, governmentality and technologies of the self, to explore social and cultural processes involved in identity formation. Within a discourse-theoretical perspective, identity formation is understood as an ever-evolving process, where individuals at any time embody multiple identities in response to patterns of power-relations among individuals and institutions. Identitation is suggested as a new term for the processes of being, having and seeking identity/identities. These ideas are illustrated by findings from a study of professional singers within classical, pop and jazz music, respectively.- Keywords: identitation, discourse analytic research, Foucault, professional singersen_US
dc.language.isoengen_US
dc.publisherNorges musikkhøgskoleen_US
dc.relation.ispartofseriesNMH-publikasjoner;2009, nr 8
dc.relation.ispartofseriesNordisk musikkpedagogisk forskning;Årbok 11
dc.subjectidentitationen_US
dc.subjectdiscourse analytic researchen_US
dc.subjectFoucaulten_US
dc.subjectprofessional singersen_US
dc.titleIdentitation : researching identity processes of professional singers from a discourse-theoretical perspectiveen_US
dc.typeChapteren_US
dc.typePeer revieweden_US
dc.source.pagenumber221-236en_US


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