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dc.contributor.authorJaakkola, Soila
dc.date.accessioned2015-01-15T12:26:04Z
dc.date.available2015-01-15T12:26:04Z
dc.date.issued2013
dc.identifier.citationI: Aural perspectives. On musical learning and practice in higher music education, s. 133-143nb_NO
dc.identifier.isbn978-82-7853-086-3
dc.identifier.urihttp://hdl.handle.net/11250/274215
dc.description.abstractThis presentation is based on a paper given at the GEFFF conference in October 2012, which in turn was based on the present author’s dissertation (Jaakkola 2012), where methods for connecting aural training and choral singing were explored. The study focused on choral aural training, which is understood as activities in choirs intended to improve the music literacy and aural training skills of choral singers. The research was a qualitative content analysis of sight-singing books (n = 41) written for amateur adult choral singers. These books were published in the Nordic countries, central Europe and North America between 1980 and 2007. The material included a number of sight-singing books with very different approaches, and the six books that stood out from the rest were discussed as case studies. These six featured a diversity of perspectives on aural training that led to the outlining of six approaches or ‘pathways’ to choral aural training. These pathways are briefly introduced in this presentation. Keywords: choral aural training, music literacy, aural training, sight-singing, choral educationnb_NO
dc.language.isoengnb_NO
dc.publisherNorges musikkhøgskolenb_NO
dc.relation.ispartofseriesNMH-publikasjoner;2013:10
dc.subjectchoral aural trainingnb_NO
dc.subjectmusic literacynb_NO
dc.subjectaural trainingnb_NO
dc.subjectsight-singingnb_NO
dc.subjectchoral educationnb_NO
dc.titleConnecting aural training and choral singingnb_NO
dc.typeChapternb_NO
dc.typePeer reviewednb_NO
dc.subject.nsiVDP::Humanities: 000::Musicology: 110::Music pedagogics: 114nb_NO
dc.source.pagenumberS. 133-143nb_NO


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