Kunstnerisk utviklingsarbeid
Refleksjoner fra den enkelte kunstneriske stipendiat, som oftest PDF-fil. Men åpent for at andre deler av prosjektene (forskjellige filformater) til stipendiatene også kan legges her. Ganske mange av de kunstneriske stipendiatene dokumenterer prosjektene sine i Research Catalogue under denne adressen https://www.researchcatalogue.net/portals?portal=371609
Forfatteren / Kunstneren har selv copyright på verket men har gitt tillatelse til at den blir gjort tilgjengelig på Internett via NMH - Brage
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Transmogrification. Dialogic composition
(Research report, 2021)Contents: Introduction. - Adaptation. - Why make adaptations? - Fidelity in Adaptation. - The Emergence of Werktreue. - Canonisation of the Work. - Priority. - Dialogue. - Introducing Bakhtin and Dialogism. - Heteroglossia. ... -
The use of human beings
(Research report, 2022)Table of Content. - Foreword. - Chapter 1: Introduction. - Chapter 2: Method. - Chapter 3: Manifesto. - Chapter 4: Das kapitalistische Ausland. - Chapter 5: It takes all Kinds to make The World, Sir!. - Chapter 6: Zulou. ... -
Det orkestrale klaveret. Orkesteret som metafor for utforskning av klaverklang. Refleksjon over prosjektet
(Research report, 2019)Det orkestrale klaveret - I dette prosjektet vil Lindberg utvikle og utforske klaverspill gjennom å imitere symfoniorkesteret og dets instrumenter, noe han kaller å spille orkestralt eller et orkestralt klaverspill. ... -
Form og innhold. En analyse av Beethovens 5 siste klaversonater
(Report, 2020)Disse tekstene er i stor grad inspirert av mitt møte med min professor i formanalyse, Erwin Ratz, hvis undervisning jeg hadde glede av å følge i min studietid i Wien på slutten av 60-tallet. Hans analytiske tilnærming ... -
Form and content. An analysis of Beethoven's 5 last piano sonatas
(Report, 2020)These texts are largely inspired by the time I spent with my professor of form analysis, Erwin Ratz, whose teaching I had the pleasure of following during my studies in Vienna in the late 1960’s. His analytical approach ... -
Elektrisk fiolin i det digitale rom
(Research report, 2011)Denne teksten ledsager mine kunstneriske resultater og er et refleksjonsnotat til et kunstnerisk stipendiatprosjekt ved Norges musikkhøgskole. Refleksjonsteksten utdyper og gir bakgrunn for de kunstneriske resultatene og ... -
Style Brillante: Piano technique in Performance Practice of early 19th century. Critical reflection
(Research report, 2011)The goal with my project was to investigate different piano traditions of early 1800s, and to find out how the development of technique 1800s interacted with,- and probably influenced - musical language (or style), in light ... -
Again and Again and Again. Music as site, situation and repetition
(NMH-publikasjoner;2017:7, Research report, 2018)Again and Again and Again is about new musical works that in various ways integrate historical music as important components. The texts were written during Eivind Buene’s fellowship in The Norwegian Artistic Research ... -
Organized time. Strategies for transmedial composition
(Research report, 2017)Organized Time - Strategies for Transmedial Composition About the project. - The language that surrounds forms of art where several medias meet, is by no means standardized. Blom thinks of the complete category, several ... -
The poetics of a multiphonic landscape. Reflections on the project
(Research report, 2016)Abstract The project is an artistic research project focusing on the saxophone's ability to produce multiphonics (multiple sounds on an instrument considered monophonic). It is a personal artistic exploration into the ... -
Contrabass Clarinet and Houvenaghel’s Organ, integrating a new member into my clarinet family
(Research report, 2015)The written part of the critical reflection, May 15. 2015 In october 2011 I started a project that was then called ”Contrabass Clarinet”. I wanted to become a contrabass clarinettist and expand knowledge and interest ... -
The HyPer(sonal) Piano Project : towards a (per)sonal topography of grand piano and electronics [interactive pdf]
(Research report, 2016)Towards a (per)sonal topography of grand piano and electronics How can I develop a grand piano with live electronics through iterated development loops in the cognitive technological environment of instrument, music, ... -
Ensemble and Ensemble of Me. What I think about when I think about improvisation
(Research report, 2016-06-20)Introduction: - This project (2011-2015) is an artistic research fellowship project at the Norwegian Academy of Music, as part of The Norwegian Artistic Research Fellowship Programme. In this project I have produced ... -
The Tartini style. An artistic survey of the violinist's craft in the 18th century
(Research report, 2016-02-22)"In his research of The Tartini Style, Sigurd Imsen has explored the art and craft of the 18th century’s violinists. The study concentrates on the florid and highly personal ornamental style of Giuseppe Tartini (1692-1770), ... -
"This is not a drum". Towards a Post-Instrumental Practice
(Research report, 2016-02-18)Abstract. - This is Not a Drum: Towards a Post-Instrumental Practice thematizes the role of the performer in contemporary music. - One of the oldest crafts in musical arts, percussion playing, especially within the Western ... -
Let the Harp Sound! Updating the understanding of the sound and artistic role of the harp in Norwegian contemporary music
(Research report, 2016-01-26)ABSTRACT: Sunniva Rødland's artistic research project Let the Harp Sound - Updating the understanding of the sound and artistic role of the harp in Norwegian contemporary music makes its inquiries through artistic activity ... -
'Zum Spielen und zum Tantzen', a Kinaesthetic Exploration of the Bach Cello Suites through Studies in Baroque Choreography
(Research report, 2015-11-03)Abstract. - The dance titles of J.S. Bach's cello suites, derived from French court dance, clearly meant more to the composer than just abstract reference. In Bach's time, dance practice permeated social life, and it was ... -
THERE WILL BE NO CRITICAL REFLECTION
(Research report, 2015-11-03)The only solution in the end was this: To hand in a one-page document with only this sentence: “There will be no critical reflection”. It is a little childish, but it is the Truth (both in a factual and artistic sense). ...
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