Blar i Artikler og bokkapitler på emneord "VDP::Humaniora: 000::Musikkvitenskap: 110::Musikkpedagogikk: 114"
Viser treff 21-40 av 111
-
Educational landscapes and the vision of culture for all
(NMH-publikasjoner;2021:2, Chapter; Peer reviewed, 2021)In the introductory chapter of this book, Alexandra Kertz-Welzel presents the metaphor of educational landscapes as a tool for exploring the various intentions and objectives that institutions and organisations offering ... -
Ein ny læreplan sin framvekst og resepsjon: Refleksjonar over nylesing av Geir Johansens doktoravhandling «Musikkfag, lærer og læreplan» (2003)
(Utdanningsforskning i musikk – skriftserie fra CERM (Centre for Educational Research in Music);Vol. 1, Chapter, 2017)For cirka tjue år sidan reiste eg rundt i Noreg for å informera lærarar og andre om den nye musikkplanen i læreplanverket av 1997 (L-97). Lite visste eg i 1997 at Geir Johansen nettopp hadde starta opp doktorgradsprosjektet ... -
Empowering girls as instrumentalists in popular music. Studying change through Engeström’s cultural-historical activity theory
(Nordisk musikkpedagogisk forskning;Årbok 19, Chapter; Peer reviewed, 2019)ABSTRACT - This article contributes new knowledge about the music educators’ role in informal learning settings, and potentials for empowering girls to transcend gender norms characteristic of popular music. Specifically, ... -
Entreprenørskap i høyere norsk musikkutdanning
(NMH-publikasjoner;2017:8, Chapter; Peer reviewed, 2018)ABSTRACT - Entrepreneurskap in Higher Music Education in Norway. Recently, in Norway, entrepreneurship in higher education has received increased attention. Research projects in Norwegian universities and university ... -
Et forsvar for kunstverket – re-romantisering av musikkpedagogisk tenkning
(NMH-publikasjoner;2021:2, Chapter; Peer reviewed, 2021)Hanne Rinholm and Øivind Varkøy argue that several examples of music education scholarship worldwide critique concepts, such as the aesthetic and aesthetic upbringing, based on the assumption that these concepts construct ... -
Everyone’s music? Explorations of the democratic ideal in jazz and improvised music
(NMH-publikasjoner;2021:2, Chapter; Peer reviewed, 2021)By exploring the supposedly democratic ideal in jazz and improvised music, Corey Mwamba and Guro Gravem Johansen ask whether this music is everyone’s music. Their point of departure is the oft-cited narratives that emphasise ... -
Facets of experience — Interviews on music and emotion in encounter with Frede Nielsen’s theory on multifaceted meanings in music experience
(Nordisk musikkpedagogisk forskning;Årbok 17, Chapter; Peer reviewed, 2016)ABSTRACT -- This article investigates music experience using interview data in an encounter with Frede V. Nielsen’s model and theory on a multifaceted universe of musical meaning. Originally, the data was conducted to ... -
Fenomenologisk Musikdidaktik – ett möjligt angreppssätt på vägen mot en jämställd och likvärdig ensembleundervisning på gymnasiets estetiska program?
(Utdanningsforskning i musikk – skriftserie fra CERM (Centre for Educational Research in Music);Vol. 1, Chapter; Peer reviewed, 2017)I en vid tiden för skrivandet av föreliggande kapitel pågående studie av kvinnliga elgitarristers upplevelse av ensembleundervisning, har vikten av lärarens roll framträtt tydligt vad gäller möjligheter för en jämlik och ... -
Forgetting the audible body. Voice awareness in teacher education
(Nordisk musikkpedagogisk forskning;Årbok 19, Chapter; Peer reviewed, 2019)ABSTRACT. - Voice training and voice knowledge have all but disappeared from Norwegian teacher education, in a general decline of the standing of practical-aesthetical subjects in compulsory school. Yet the voice is a ... -
Form and order – Dimensions in musical meaning making
(NMH-publikasjoner;2017:8, Chapter; Peer reviewed, 2018)ABSTRACT - This paper concerns musical meaning making in relation to semiotic theory and other forms of meaning making. This much-studied topic belongs to those fundamental issues that need constant rethinking. The paper ... -
The Galata Electroacoustic Orchestra Project
(NMH-publikasjoner;2019:7, Chapter; Peer reviewed, 2019)Abstract - The Galata Electroacoustic Orchestra (GEO) project was realised in 2013 as a Lifelong Learning Programme at the Conservatory Paganini in Genoa, Italy. Its general objective was to found an orchestra devoted ... -
Gender and equality in education. Key themes, changes and the contemporary focus on achievement
(Nordisk musikkpedagogisk forskning;Årbok 19, Chapter; Peer reviewed, 2019)ABSTRACT - The field of gender and education historically and currently addresses a range of issues of equality in education. Key themes include power relations, curriculum and school practices, achievement patterns, and ... -
Gender Performativity through Musicking: Examples from a Norwegian Classroom Study
(Nordisk musikkpedagogisk forskning;Årbok 16, Chapter; Peer reviewed, 2015-12)ABSTRACT This article is based on findings from the doctoral thesis Gender at Stake: A Study of Secondary School Pupils’ Musicking. The study explores how pupils stage and construct gender through the music they perform ... -
Goal setting and self-determination in music making: Tenets of becoming a deliberate and motivated music practitioner
(NMH-publikasjoner;2017:8, Chapter; Peer reviewed, 2018)ABSTRACT - The fields of sports, business, education and other organizational fields have for many decades invested considerable time and resources in research investigating quality of motivation, use of goal setting in ... -
Handlemuligheter og musikalsk aktørskap. Om å avgrense musikkterapi fra musikkpedagogikk
(Utdanningsforskning i musikk – skriftserie fra CERM (Centre for Educational Research in Music);Vol. 1, Chapter, 2017)Å definere og avgrense fagfelt er en øvelse som lett skaper diskusjoner. Deltakerne i feltet kan ha ulike og kanskje motstridende interesser og det kan oppstå en kamp om hegemoniet. Definisjoner handler om å sette ord på ... -
Hetero-observation in the orchestral conducting classroom from the students’ perspective: analysis of pre- and post-observational self-reports
(NMH-publikasjoner;2019:7, Chapter; Peer reviewed, 2019)Abstract - This research explores the influence of hetero-observation on gestural learning by 28 first-year orchestral conducting students at a higher music education institution in Spain. For this hetero-observational ... -
How (not) to teach
(NMH-publikasjoner;2019:7, Chapter; Peer reviewed, 2019)Abstract - In this personal essay Susanne van Els draws on her musical career as a performer and educator to look at when, where and how essential learning takes place. Because, when answering the number one question – ... -
How music performance education became academic: On the history of music higher education in Europe
(NMH-publikasjoner;2019:7, Chapter; Peer reviewed, 2019)Abstract - This text aims to answer the question of the academic self-image of music from an historical perspective. In the first section, a certain concept of teaching the art of music is shown as having emerged from ... -
Hva er legitim forskning ved norske musikkonservatorier? Teoretiske, empiriske og historiske perspektiver
(Utdanningsforskning i musikk – skriftserie fra CERM (Centre for Educational Research in Music);Vol. 1, Chapter; Peer reviewed, 2017)I kapitlets tittel spør vi hva som er legitim forskning ved norske musikkonservatorier. Ut fra våre funn synes det som om den dominerende tendensen innen akademisering eller gentrifisering av populærmusikk i konservatoriesektoren ... -
Hva er selvkritisk musikkpedagogikk, og hvordan skal vi forholde oss til den?
(NMH-publikasjoner;2017:4, Chapter; Peer reviewed, 2017)Det er en økende tendens i musikkpedagogisk forskning og teoriutvikling til å se mer kritisk på vår egen virksomhet enn tidligere. Kritikk rettes mot så vel tradisjonell instrumentalopplæring i vestlig klassisk tradisjon ...