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dc.contributor.authorBonde, Lars Ole
dc.date.accessioned2016-01-05T15:21:30Z
dc.date.available2016-01-05T15:21:30Z
dc.date.issued2015
dc.identifier.citationI: Nordic Research in Music Education. Yearbook Vol. 15, s. 251-268nb_NO
dc.identifier.isbn978-82-7853-095-5
dc.identifier.issn0333-3760
dc.identifier.urihttp://hdl.handle.net/11250/2372686
dc.description.abstractSince 1971, after 7 years of teaching music theory at the Royal Danish Academy of Music in Aarhus, the composer Bent Lorentzen has lived as a free artist. Internationally he is best known for his 15 operas, however, he has composed music in all genres. Music education and pedagogical work has played a major role in his entire life as a teacher and composer, and his theoretical and practical artistic work with modern music by, with and for children is the topic of this article. It will explore how Lorentzen’s pedagogical thinking has developed over four decades, how it relates to the Danish tradition of music composed for and with children, and how selected works can be grouped in a typology of music for and with children.Keywords: music for children, interactive composition, creative music-making, music theatre for childrennb_NO
dc.language.isodannb_NO
dc.publisherNorges musikkhøgskolenb_NO
dc.relation.ispartofseriesNMH-publikasjoner;2014:8
dc.relation.ispartofseriesNordisk musikkpedagogisk forskning;Årbok 15
dc.subjectmusic for childrennb_NO
dc.subjectinteractive compositionnb_NO
dc.subjectcreative music-makingnb_NO
dc.subjectmusic theatre for childrennb_NO
dc.titleDen pædagogiske modernist. Bent Lorentzens arbejde med musik af, for og med børnnb_NO
dc.title.alternativeMusic by, with and for children in the life of the Danish modernist composer Bent Lorentzen.nb_NO
dc.typeChapternb_NO
dc.typePeer reviewednb_NO
dc.subject.nsiVDP::Humanities: 000::Musicology: 110::Music pedagogics: 114nb_NO
dc.source.pagenumberS. 251-268nb_NO


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