Now showing items 41-60 of 321

    • «Den som i dag utdanner seg til musikklærer må samtidig skolere seg som fagpolitiker» – om profesjonsutøvelse i spennet mellom fag, pedagogikk og politikk 

      Kalsnes, Signe (NMH-publikasjoner;2021:2, Chapter; Peer reviewed, 2021)
      Signe Kalsnes’s contribution to this anthology takes, as its point of departure, the author’s personal experiences of political activism on behalf of the music subject. Kalsnes employs an autoethnographic approach to convey ...
    • Designing four generations of ‘Musicking Tangibles’ 

      Cappelen, Birgitta; Andersson, Anders-Petter (Series from the Centre for Music and Health;8, Chapter; Peer reviewed, 2014)
      This article, which builds on several conference papers, describes what we call ‘Musicking Tangibles’, a novel approach towards understanding and design of interactive music technology for people with special needs. The ...
    • Det store skillet? Om skriftlighetens betydning for kognitiv bevissthet i musikalsk læring 

      Blix, Hilde Synnøve (NMH-publikasjoner;2009, nr 8, Chapter; Peer reviewed, 2009)
      Music reading and writing are regarded as useful skills for musicians in many genres. As a means to communicate, written music is a useful tool both for composers, musicians and musicologists. Discussions concerning whether ...
    • Development of family-centred care informing Nordic neonatal music therapy 

      Ullsten, Alexandra; Gaden, Tora Söderström; Mangersnes, Julie (NMH-publikasjoner;2020:6, Chapter; Peer reviewed, 2020)
      Abstract. - Since the 1990s, the concept of family-centred care, where the family and healthcare staff share responsibility for the infant’s hospital care, has been part of an ongoing paradigm shift in neonatal care globally. ...
    • Dialogue on Intersubjectivity: Interview with Stein Bråten and Colwyn Trevarthen 

      Stensæth, Karette; Trondalen, Gro (Skriftserie fra Senter for musikk og helse;5, Chapter; Peer reviewed, 2012)
      It is a sunny afternoon at Holmen Fjord hotel in Asker, outside Oslo. Stein Bråten and Colwyn Trevarthen, two international Nestors and authorities within infancy and communication research, are invited to a luncheon, ...
    • Didaktisk kompetence i kunstneriske musikuddannelser. En undersøgelse af gode instrumental- og sammenspilslærere i rytmisk musik på professionelle musiker- og musikpædagoguddannelser i Norden 

      Westergaard, Torben (NMH-publikasjoner;2012:2, Chapter; Peer reviewed, 2012)
      Case studies of music educators were conducted with a double purpose: on the one hand to describe educators' teaching activities and reflections, and on the other hand to develop some general principles of competence in ...
    • Discourses on music in Swedish primary and preschool teacher education 

      Lindgren, Monica; Ericsson, Claes (NMH-publikasjoner;2013:1, Chapter; Peer reviewed, 2013)
      This study investigates prevailing discourses on music in the field of creative arts in Swedish teacher education for primary school and preschool, following the programme based on the 1999 teacher education reform. The ...
    • Doing, being, becoming. Profesjonelle musikere i musikkterapiens grenseland 

      Aasgaard, Trygve (Skriftserie fra Senter for forskning i musikk og helse (CREMAH);10, Chapter; Peer reviewed, 2017)
      Artikkelen beskriver et kurs i komponering ved et høysikkerhetspsykiatrisk sykehus i Liverpool i tidsrommet 2013 – 2015. Lærere ved kurset var musikere fra Royal Liverpool Philharmonic Orchestra, knyttet til Musician in ...
    • Død, oppstandelse og himmelfart: Bruce Springsteens religiøse billedbruk på The Rising 

      Kvalvaag, Robert W. (Skriftserie fra Senter for musikk og helse;7, Chapter; Peer reviewed, 2014)
      Sommeren 2002 utga Bruce Springsteen albumet The Rising. Dette var hans respons på de dramatiske hendelsene i USA 11. 9 2001. I dette kapitlet ser jeg nærmere på hva slags religiøse bilder Springsteen bruker på The Rising. ...
    • Educating music teachers in the new millennium 

      Danielsen, Brit Ågot Brøske; Johansen, Geir (NMH-publikasjoner;2012:7, Chapter; Peer reviewed, 2012)
      We live in times when a row of factors influence music education. Among them, people’s most significant musical experiences are reported not to originate in music education at school ; and to an increasing degree, children ...
    • Educational landscapes and the vision of culture for all 

      Kertz-Welzel, Alexandra (NMH-publikasjoner;2021:2, Chapter; Peer reviewed, 2021)
      In the introductory chapter of this book, Alexandra Kertz-Welzel presents the metaphor of educational landscapes as a tool for exploring the various intentions and objectives that institutions and organisations offering ...
    • Empowering girls as instrumentalists in popular music. Studying change through Engeström’s cultural-historical activity theory 

      Nysæther, Eyolf Thovsen; Schei, Tiri Bergesen (Nordisk musikkpedagogisk forskning;Årbok 19, Chapter; Peer reviewed, 2019)
      ABSTRACT - This article contributes new knowledge about the music educators’ role in informal learning settings, and potentials for empowering girls to transcend gender norms characteristic of popular music. Specifically, ...
    • En kulturpsykologisk modell av musikaliskt lärande genom musicerande 

      Hultberg, Cecilia K. (NMH-publikasjoner;2009, nr 8, Chapter; Peer reviewed, 2009)
      This article presents a cultural-psychological model of musical learning, based on results from several longitudinal case studies consisting of many-sided data collected in different contexts of making music. Here the ...
    • En ressursorientert musikkterapi 

      Rolvsjord, Randi (Skriftserie fra Senter for musikk og helse;1, Chapter; Peer reviewed, 2008)
      Å utforske hva et ressursorientert perspektiv på musikkterapi kan innebære for arbeid innenfor psykisk helse og omsorg har vært fokus for min forskning de siste årene. Jeg har gjort en kvalitativ forskningsstudie basert ...
    • Entreprenørskap i høyere norsk musikkutdanning 

      Watne, Åshild; Nymoen, Kristian (NMH-publikasjoner;2017:8, Chapter; Peer reviewed, 2018)
      ABSTRACT - Entrepreneurskap in Higher Music Education in Norway. Recently, in Norway, entrepreneurship in higher education has received increased attention. Research projects in Norwegian universities and university ...
    • Et epistemologisk blikk på kjønn i musikkpedagogikken 

      Onsrud, Silje Valde (NMH-publikasjoner;2011:2, Chapter; Peer reviewed, 2011)
      Gender as an object for research in music education is a rare occurrence, especially in Nordic music pedagogical research. This article I suggests a theoretical perspective on gender in secondary school related musical ...
    • Et dialogisk perspektiv på musikk som terapi 

      Garred, Rudy (Skriftserie fra Senter for musikk og helse;1, Chapter; Peer reviewed, 2008)
      Det har vært vanlig å skille mellom to hovedformer for musikkterapi: Musikk i terapi, og musikk som terapi. Musikk i terapi er bruken av musikk innenfor allerede etablerte former for praksis hvor musikken ikke selv er ...
    • Et forsvar for kunstverket – re-romantisering av musikkpedagogisk tenkning 

      Rinholm, Hanne; Varkøy, Øivind (NMH-publikasjoner;2021:2, Chapter; Peer reviewed, 2021)
      Hanne Rinholm and Øivind Varkøy argue that several examples of music education scholarship worldwide critique concepts, such as the aesthetic and aesthetic upbringing, based on the assumption that these concepts construct ...
    • Et humanistisk perspektiv på norsk musikkterapi 

      Ruud, Even (Skriftserie fra Senter for musikk og helse;1, Chapter; Peer reviewed, 2008)
      Når jeg i det følgende skal skissere noen sentrale kjennetegn ved en ”humanistisk musikkterapi”, er det på bakgrunn av konkurrerende paradigmer i musikkterapifeltet. I første rekke synes det viktig å vise særpreget ved en ...
    • Ethical implications of music education as a helping profession 

      Regelski, Thomas A. (NMH-publikasjoner;2012:2, Chapter; Peer reviewed, 2012)
      As professionals, music teachers are faced with a range of ethical responsibilities that are tied to the particular benefits that the music education profession, by its very existence, promises to contribute to graduates’ ...